Doorknobs at Dawn: Never Delete Correspondence

POETRY WAR? SEASLOTH REVIEW BASHES BACK WHO IS THE REAL SEALILY CHUNDERWOOD? “I AM AMUSED”: C. LANGLEY DUNWOOD BREAKS SILENCE DOORKNOBS AT DAWN: LITERARY FEUD ERUPTS “MY DOORKNOBS ARE BRASS”: DUNWOOD HITS BACK SEASLOTH INSIDER TELLS ALL: WHO IS TOBY THALASSOCNUS?  The Seasloth Review does not endorse these accounts. We have not read all of … Read more

Auden, Dunwood, and the Beach Chair

C. Langley Dunwood was not the first poet to sit in a beach chair, and she will almost certainly not be the last. The tradition has, moreover, an unexpectedly distinguished predecessor: W. H. Auden. This week, as The Seasloth bids a grateful farewell to our summer interns and thank them for their incredible energy, one … Read more

The Seasloth Review Exclusive

The editorial team at The Seasloth is delighted—nay, thrilled beyond the bounds of modest restraint—to bring its readers yet another groundbreaking exclusive. In this dazzling new edition, we present poetry and prose from some of the finest voices writing today, alongside an exclusive interview with C. Langley Dunwood, who breaks her long silence to address, … Read more

The Seasloth Review

Kellings Manor, Wiltshire. January 1935. The snow is closing in. THE SEASLOTH REVIEW   is pleased to offer readers the first chapter of Lauden McVey’s Death Comes to Kellings ahead of publication by Barbeque Books.  An incomplete manuscript has been found among the papers of Lauden McVey — one of the great Queens of Crime, some … Read more