The Dragon, the Princess, and St. George: One Story, Three Paintings, One Poem, Three Perspectives.
First the Legend Behind the Paintings
The most famous tale associated with St. George, as patron saint of England and champion for Christianity, is of him slaying the dragon which was terrorising the city of Silene in the province of Libya, on the day when the king’s own daughter, the Princess Sabra, was to be sacrificed to it. As the princess was being led to her doom, the passing knight, learning of her dreadful fate, determined to slay the dragon and save her. However, the dragon’s scales were like steel and his spear simply broke into pieces,; he could only defeat it in the end by aiming at a small patch of vulnerable skin. The grateful inhabitants held a huge feast in his honour, and the king offered him his daughter in marriage. St. George caused all the people, including the king, to be baptised into Christianity.
The story of St. George and the Dragon comes from the Golden Legend (a popular 13th-century collection of saints’ lives by Jacopo da Voragine). In the Libyan city of Silene, a dragon (sometimes described as plague-bearing) terrorizes the people, who feed it sheep and then their children to appease it. When the king’s daughter is chosen as the next sacrifice, she is led out to the monster. Saint George rides by, learns of her plight, attacks the dragon, wounds it (often non-fatally), and then instructs the princess to tie her girdle (belt or sash) around the creature’s neck. Miraculously, the dragon becomes tame and follows her “like a little dog on a leash” back to the city, where the people eventually kill it after converting to Christianity. nationalgallery.org.uk
The narrative has pre-Christian origins (Jason and Medea, Perseus and Andromeda, Typhon, etc.),[1] and is recorded in various saints’ lives prior to its attribution to Saint George specifically.
The First Painting

In Not my Best Side U.A. Fanthorpe gives voice to the three figures.
First up: The Dragon who – as an art critic – has many complaints to make.
Not My Best Side
The Dragon
I
Not my best side, I’m afraid.
The artist didn’t give me a chance to
Pose properly, and as you can see,
Poor chap, he had this obsession with
Triangles, so he left off two of my
Feet. I didn’t comment at the time
(What, after all, are two feet
To a monster?) but afterwards
I was sorry for the bad publicity.
Why, I said to myself, should my conqueror
Be so ostentatiously beardless, and ride
A horse with a deformed neck and square hoofs?
Why should my victim be so
Unattractive as to be inedible,
And why should she have me literally
On a string? I don’t mind dying
Ritually, since I always rise again,
But I should have liked a little more blood
To show they were taking me seriously.
The Princess: The King’s Daughter
II
It’s hard for a girl to be sure if
She wants to be rescued. I mean, I quite
Took to the dragon. It’s nice to be
Liked, if you know what I mean. He was
So nicely physical, with his claws
And lovely green skin, and that sexy tail,
And the way he looked at me,
He made me feel he was all ready to
Eat me. And any girl enjoys that.
So when this boy turned up, wearing machinery,
On a really dangerous horse, to be honest
I didn’t much fancy him. I mean,
What was he like underneath the hardware?
He might have acne, blackheads or even
Bad breath for all I could tell, but the dragon–
Well, you could see all his equipment
At a glance. Still, what could I do?
The dragon got himself beaten by the boy,
And a girl’s got to think of her future.
III
St. George
I have diplomas in Dragon
Management and Virgin Reclamation.
My horse is the latest model, with
Automatic transmission and built-in
Obsolescence. My spear is custom-built,
And my prototype armour
Still on the secret list. You can’t
Do better than me at the moment.
I’m qualified and equipped to the
Eyebrow. So why be difficult?
Don’t you want to be killed and/or rescued
In the most contemporary way? Don’t
You want to carry out the roles
That sociology and myth have designed for you?
Don’t you realize that, by being choosy,
You are endangering job-prospects
In the spear- and horse-building industries?
What, in any case, does it matter what
You want? You’re in my way.
Poem © by U. A. Fanthorpe, from Selected Poems (2014) published by Enitharmon Press.
The Second Painting
Is also by Paolo Uccello but earlier c. 1465. It’s in the Musée Jacquemart-André, Paris

It’s interesting to look at the differences between the two.
London c. 1470
Fanthorpe’s poem is based on the older version in the National Gallery, UK. In it the dragon is “on a string” and the painting compresses the two components of the legend in one painting. The dragon is vanquished and tamed in one painting.
On the right: Saint George, on a prancing white horse, spears the dragon through the head. The dragon is a strange, two-legged, bat-winged, triangular beast emerging from a cave.
On the left: The elegant princess (looking somewhat bored or detached and certainllynot terrified) already has her blue belt tied around the dragon’s neck and is leading it away like a pet on a leash.
The overall effect is that of a rather odd and styilized magical adventure story rather than a Christian allegory.
Paris c. 1465
The earlier Paris version focuses on a single dramatic moment – Saint George on horseback thrusts his lance into the dragon as it is about to devour the king’s daughter. The princess stands nearby but there is no leash. The dragon is still fierce and aggressive, not yet tamed. The composition feels more traditional and heroic: the saint is in active combat, the monster is a Gothic beast and the emphasis is on the violent confrontation rather than the miraculous taming that follows.
The legend of Saint George and the Dragon may not be historical fact, but it taps into something enduring. It’s survived for centuries as one of Christianity’s most powerful and adaptable allegories. In the story, the dragon symbolises evil in its many forms – sin, chaos, persecution, the devil – while George embodies faith, courage, and the triumph of good through divine assistance rather than brute strength. The princess represents human vulnerability, (or the Church in need of deliverance) The conversion of the city shows how faith can transform whole communities.
During the Middle Ages and the Crusades, the legend became a model of chivalric virtue and moral courage, inspiring works of art as well as literature, including Spenser’s The Faerie Queene. Its lasting power lies in both clarity and flexibility: the image of a lone figure confronting a monstrous threat continues to resonate across cultures and eras.
Today, the story endures through religious observance (feast days and iconography), national identity (in England, George is patron saint and his red cross forms the national flag), and popular culture, where the hero-versus-monster motif underpins much of fantasy, children’s storytelling, and film. Above all, it persists because it offers a vivid, timeless image of good overcoming evil – both in the world and within the human heart.
April 23rd is also Shakespeare’s birthday and of course he evoked Saint George as a symbol of English courage, chivalry, and martial spirit. He appears in several plays, sometimes tied to the dragon or as a battle cry.
The most famous reference is King Henry’s rousing speech before the Battle of Harfleur:
“The game’s afoot:
Follow your spirit, and upon this charge
Cry ‘God for Harry, England, and Saint George!’”
Henry V (Act 3, Scene 1)
“Advance our standards, set upon our foes;
Our ancient word of courage, fair Saint George,
Inspire us with the spleen of fiery dragons!”Richard III (Act 5, Scene 3)
A witty tale in which children discover that dragons are plaguing England again, and they must awaken Saint George to deal with the problem.



Brilliant.
Fabulous, thank you!
An interesting post, Josie; In my 70+ years I’ve not once heard of celebrations for St. George! St. George is despised by the current leaders of the UK.
I think it’s time to resurrect him! Or at least some of the virtues he represented. No need to put anyone on a pedestal – we are all so flawed – but aspirations and values and endeavours can be honoured. Here’s to St. George!
We should not despise the past but rather seek to understand it and thereby understand ourselves. There is no need to “despise” the British past. Nor should we “worship” it.
Wonderful combination of paintings and the comments throughout were witty and informative. I think I understand the legend of St. G and the Dragon in real detail now. Thank you for writing this!
Saw all three paintings on this trip so found myself drawn to dragon-world.
You had some fun with this one 🙂
I did! The paintings and Fanthorpe’s poem are all a delight.
What is it with males? Males tales. And are all Dragons male? Was ot a femail dragon being slaughtered…and if so why? I think we should all treat each other kindly and with respect including dragons. People said my mum could be a bit of an old dragon. Isnt it all very dragonist?
I know I should support St George but I rather sympathise with the poor dragon, especially after reading the (very good) poem.
Who doesn’t love a good monster!