Time By the Numbers

I read a review of a “The Folded Clock: 100 Number Poems” that made this poetry collection peculiar enough to be intriguing. I recommend the review as a great introduction. The author is Gerhard Rühm, an author, composer and visual artist; he’s regarded as one of the key figures in the postwar European (neo)avant-garde, and … Read more

How Many Miles to Babylon?

I started on a shelf-clearing exercise which – of course – was doomed from the get-go. I mean – if you are sorting through books, it’s guaranteed that you will very quickly find something that you must immediately sit down and read.  The culprit in this particular case was a novella I’ve read twice before … Read more

Reckless and Criminal Cookery, Garlic, and the Stiff Upper Lip of Diplomacy

When I think of the Durrell family, it’s Gerald who comes to mind as the one with the sense of humour. Back in my teaching days, the scene with the mother scorpion in the matchbox who launches herself at brother Larry (see sidebar) was always a surefire hit and led to all kinds of lively … Read more

#1925Club: Americana

My first book for the #1925Club was Gentlemen Prefer Blondes where Anita Loos makes several sly, satirical references to the journalist, critic and public intellectual H. L. Mencken. He is unmistakably the model for one of her characters and a source of some of the book’s humor. Mencken admired Loos’s wit and he was one of … Read more

#1925Club: Karel Čapek’s Letters from England

Karel Čapek’s Letters from England (1925) “’You must begin from the beginning,’ I was advised, but as I have now been for ten days on this Babel of an island the beginning has got lost. What am I to begin with? Fried bacon, or the Exhibition at Wembley? Mr. Shaw, or the London policemen?” That … Read more

#1925Club: The Witness for the Prosecution

Agatha Christie’s “The Witness for the Prosecution”: Truth, Lies, and a Perfect Performance Christie published The Secret of Chimneys in 1925 and you can read an amusingly scathing review here. I am sure others may have more positive things to say. But Christie also published something else that year – a short story that has … Read more

#1925Club: Richmal Crompton

“Richmal Crompton, I salute you.” That is the final sentence of Kate Atkinson’s afterword to her novel A God in Ruins. (2015). She is acknowledging, of course, her debt to Crompton’s William stories. Atkinson’s novel follows the life of Teddy Todd – would-be poet, bomber pilot, husband, father, and grandfather – as he navigates the … Read more

Joan Eardley and the Restless Landscape

“While sketching in the street, Eardley would set her easel up on a child’s pushchair. Andrew, then twelve, cheekily asked, ‘Do you want to paint me, missus?’ And she did. Ann remembers: ‘My mum said to Andrew, “I want to know where you’re going after school.” And he said, “I’m going to a woman’s house.” … Read more

Poets and Posers: Dilettantes and Dandies at the Barricades

Parody and Where Engels Fears to Tread “One always apologises for writing parodies; it is a disreputable activity, ranking only a little higher on the scale of literary activity than plagiarism. A minimum demand is that what is parodied be widely successful—a tulip craze of some sort. This gives the parodist the luxury of feeling … Read more

The Power of Place

I keep returning to Unquiet Landscape: Places and Ideas in 20th Century British Painting because it’s that kind of book – one that invites rereading. Neve’s introduction is a guide to how to read the book which is not an art history survey of schools or influences, but a reminder that landscape painting is never … Read more