Art, Film, Photography, Politics, RattleBag and Rhubarb, WW2

About Isms He was Never Wrong: George Orwell at the Café Royal

George Orwell had an interesting chance encounter with a blasé conspiracy theorist at the Café Royal in 1940. (See left). The young man is in the grip of a dangerous fallacy. As always with autocracy and totalitarianism,  Orwell nails it. The fallacy is to believe that under a dictatorial government you can be free inside. Quite a number of people console themselves…

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Art, Film, Photography, RattleBag and Rhubarb

The Art Game

Friends in the UK who usually come to visit in August were prevented by an illness this year. Big disappointment, but there it is. On the visit last year we got into some rainy day playing with art – painting rocks and leaves and acorns and so on. I was looking forward to some more art fun this summer. (They…

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Art, Film, Photography, Education

Scissors and a Glue Stick

When I first became a head of school I had this daft idea that I would make personalized cut-and-paste greetings cards for every member the faculty and staff. It was daft on a number of levels including the sheer daunting nature of the task and the time it would take that I didn’t have.  But I set to work that…

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Art, Film, Photography, Poetry, RattleBag and Rhubarb, WW1

The Pains of Parting and a Father Says Farewell

Two quite different wartime farewells at Charing Cross Station: The first is from Vera Brittain on the eve of 1915: At Charing Cross, with half an hour to wait for the last train to Purley, we walked together up and down the platform. It was New Year’s Eve, a bright night with infinities of stars and a cold, brilliant moon;…

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Art, Film, Photography, RattleBag and Rhubarb

The Art of Toni Morrison: The Pieces I Am

Two Sundays, two documentaries and two very satisfactory movie experiences. The first was Maiden at The Moviehouse in Millerton, NY. The second Toni Morrison: The Pieces I am at Upstate Films in Rhinebeck. And before say anything about either film I have to comment on the pleasure of film-going at Indy cinemas like these. Two recent movie going experiences at…

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Art, Film, Photography, City and Country, Poetry, RattleBag and Rhubarb

New York City Through the Window: Poetry

In 1975 the poet Allen Ginsberg was in hospital. At a later poetry reading he explained the causes in an introduction to a poem that he had written from his hospital bed.:  I got real angry and wound up sick in a hospital, for various karmic reasons, and woke up looking out the window, and started taking notes on what…

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Art, Film, Photography, City and Country, RattleBag and Rhubarb

New York City Through the Window: Art

And New York is the most beautiful city in the world? It is not far from it. No urban nights are like the night there. I have looked down across the city from high windows. It is then that the great buildings lose reality and take on their magical powers. They are immaterial; that is to say, one sees but…

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Art, Film, Photography, Books, RattleBag and Rhubarb

The View from the Room

It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the…

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Art, Film, Photography, Books, Poetry, RattleBag and Rhubarb, WW2

Falling Wall

I began this post in 2017. The original focus was Louis MacNeice’s’s poem “Brother Fire”. MacNeice was a fire-watcher during the London Blitz which meant that he spent nights on rooftops watching for, and reporting, fires caused by incendiary bombs. The poem expresses a human kinship with the destructive power of fire:  O delicate walker, babbler, dialectician Fire, O enemy…

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Art, Film, Photography, RattleBag and Rhubarb

Posing Modernity

Posing Modernity: The Black Model from Manet and Matisse to Today is moving to the Musée d’Orsay in Paris but you can see it now in NYC. It’s at the Wallach Art Gallery at Columbia University until February 10th 2019. Just go up – or down – on the 1,2 or 3 train to 125th Street and you’re there. It’s free, worth…

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Art, Film, Photography, RattleBag and Rhubarb

Saul Steinberg and Philip Guston Together

I mostly associate the artist Saul Steinberg with the work he did for The New Yorker and the last time I saw an exhibit of his it was the traveling retrospective that came to the Frances Lehman Loeb Gallery at Vassar College in 2007-8. It was a full-scale survey of his work and quite amazing. And the last time I…

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Art, Film, Photography, Poetry, RattleBag and Rhubarb

An Invitation

What use is poetry? …. We have poetry  So we do not die of history. – Meena Alexander I like poems you can tack all over with a hammer and there are no hollow places. – John Ashbery    An Invitation to Poetry Come on in. Jump! You can do it. It belongs to you too. Paddle, splash about, swim, dive,…

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Art, Film, Photography, Books, RattleBag and Rhubarb, WW1

Alive Day and A Diary Without Dates

Tammy Duckworth is a Senator from Illinois and fourteen years ago she was a captain with the Illinois National Guard serving in Iraq.    On November 12th 2004 she was piloting a Black Hawk helicopter when a rocket-propelled grenade tore through the cockpit. Duckworth’s right leg was gone in an instant, shredded in a flash of heat and a spray…

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Art, Film, Photography, City and Country, Poetry, RattleBag and Rhubarb

The Night City

If you’ve ever been young and full of dreams …. If you ever headed to the big city with your imagination teeming with the prospect of joining the generations of those who came before you and left their mark … this is a poem for you. Think Paris, New York, London – any great and storied city that has been…

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Art, Film, Photography, Poetry, RattleBag and Rhubarb, WW1

Suvla Bay, Gallipoli 1915

It seemed to them that they were to go on living like that, and writing like that, for ever and ever. Then suddenly, like a chasm in a smooth road, the war came. – Virginia Woolf from The Leaning Tower, A paper read to the Workers’ Educational Association, Brighton, May 1940. Writing and speaking in 1940 – as another war…

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