I mostly associate the artist Saul Steinberg with the work he did for The New Yorker and the last time I saw an exhibit of his it was the traveling retrospective that came to the Frances Lehman Loeb Gallery at Vassar College in 2007-8.
It was a full-scale survey of his work and quite amazing.
And the last time I saw more than an isolated work by Philip Guston was, I think, the centennial exhibition at the McKee Gallery in NYC in 2013.
A current exhibit on a more modest scale brings both artists together and it makes for an interesting juxtaposition.
The Eyes Wide Open: Saul Steinberg & Philip Guston is at Senior & Shopmaker (210 Eleventh Avenue, 8th Floor, Chelsea, Manhattan) It closes on Saturday so we made it just in time.
Steinberg (1914-1999) and Guston (1913-1980) were friends and there are many points of connection in their work Both brought a sharp and macabre comic cartoon sensibility to their art and both were satirists and social commentators.
Here are two rooms:
There are some wonderful Steinberg brown paper bag mask collages:
And hooded figures from Guston:
I loved the Steinberg signature of artist as cat and all those weird and wonderful figures.
And what is one of Guston’s hoods doing as a turret on a medieval castle? And what is it thinking? Why is the thought bubble blank?
All wonderfully seriously entertainingly playful. And of course you just have to love Steinberg’s materials – paper, embossed seals, ink, brown paper bags, rubber stamps, foil, crayons, pencils.
Before decamping to Brooklyn for the month I saw this on a utility box on…
Midge Hazelbrow, the indomitable co-head of Wayward St. Etheldreda's Academy, took herself for a brisk…
Before the eruption, it was a typical senior leadership meeting at Wayward. Head of School,…
When I taught fourth and fifth grade at a school that didn't assign grades, the…
It was the Gert Loveday review of Rancid Pansies (it’s an anagram) that set me…
A post on LinkedIn caught my attention this week. It's had over 11,000 views so…