Art, Poetry, RattleBag and Rhubarb, WW1

August 1914

August 1914 What in our lives is burnt In the fire of this? The heart’s dear granary? The much we shall miss? Three lives hath one life – Iron, honey, gold. The gold, the honey gone – Left is the hard and cold. Iron are our lives Molten right through our youth. A burnt space through ripe fields A fair…

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Art, Poetry, Politics, WW1

MCMXIV

MCMXIV Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play…

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Art, Poetry, RattleBag and Rhubarb, WW1

Ballad of the Three Spectres

In Ivor Gurney’s nightmarish vision, the dead among the living bear dire warnings and mockery. Ballad of the Three Spectres As I went up by Ovillers In mud and water cold to the knee, There went three jeering, fleering spectres, That walked abreast and talked of me. The first said, ‘Here’s a right brave soldier That walks the dark unfearingly;…

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Art, Education, Poetry, Politics, RattleBag and Rhubarb, WW1

The Poltroon

Poltroon – the very word is like a … what? a.) A North American mammal of the raccoon family known for its habit of rooting for grubs in the undergrowth of deciduous forests b.) A metal or earthenware pot typically having a funnel-shaped top, often kept under the bed c.) An abject or contemptible coward, lacking courage; ignobly timid and faint-hearted. The Poltroon…

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Art, Poetry, RattleBag and Rhubarb, WW1

The Dancers

The Dancers All day beneath the hurtling shells Before my burning eyes Hover the dainty demoiselles — The peacock dragon-flies. Unceasingly they dart and glance Above the stagnant stream — And I am fighting here in France As in a senseless dream. A dream of shattering black shells That hurtle overhead, And dainty dancing demoiselles Above the dreamless dead.  …

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Art, Poetry, RattleBag and Rhubarb, WW1

Blackbird

Blackbirds are notorious for being able to mimic the sounds they hear as they hop about the celestial chimney pots of suburbia. Ice cream van jingles, phone ring tones, car alarms and ambulance sirens – they can do the lot. John Drinkwater – born in Leytonstone, London – writes about the song of the blackbird in Loyalties – the anthology…

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Poetry, RattleBag and Rhubarb, WW1

Song of the Dark Ages

Song of the Dark Ages We digged our trenches on the down    Beside old barrows, and the wet White chalk we shovelled from below; It lay like drifts of thawing snow    On parados and parapet: Until a pick neither struck flint    Nor split the yielding chalky soil, But only calcined human bone: Poor relic of that Age…

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Art, Poetry, RattleBag and Rhubarb, WW1

In Parenthesis: Part 1

This writing has to do with some things I saw, felt and was part of. The period covered begins in early December 1915 and ends in July 1916. – David Jones, in the preface to In Parenthesis 1937 In Parenthesis is a poem-novella in seven parts that culminates in the dramatic attack on Mametz Wood at the Battle of the…

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Art, Poetry, RattleBag and Rhubarb, WW1

In Memoriam (Easter, 1915)

In Memoriam (Easter, 1915) The flowers left thick at nightfall in the wood This Eastertide call into mind the men, Now far from home, who, with their sweethearts, should Have gathered them and will do never again.     by Edward Thomas Three British soldiers waiting in a trench. One stands leaning against the wall of the trench, another sits…

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Art, Poetry, RattleBag and Rhubarb

Subway Rush Hour and Modern Art

Subway Rush Hour by Langston Hughes Mingled breath and smell so close mingled black and white so near no room for fear. Hughes published Subway Rush Hour in 1951 part of “Montage of a Dream Deferred”.  In “My Early Days in Harlem” 1963 he wrote of his arrival Harlem as a young man from the mid-West.   On a bright September…

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Art, Politics, RattleBag and Rhubarb, WW1

Art and Treason: War Crimes and Responsibility

The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command. His heart sank as he thought of the enormous power arrayed against him, the ease with which any Party intellectual would overthrow him in debate, the subtle arguments which he would not be able to understand, much less answer. And…

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Art, Poetry, RattleBag and Rhubarb, WW1

Thaw

Thaw by Edward Thomas Over the land freckled with snow half-thawed The speculating rooks at their nests cawed And saw from elm-tops, delicate as flowers of grass, What we below could not see, Winter pass. Thomas wrote all his poetry in a three-year burst of creativity between 1914 and 1917. He had enlisted in 1915 and embarked for France at…

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Art, Poetry, RattleBag and Rhubarb, WW1

Wood on the Downs

Wood On The Downs After Paul Nash by Martin Malone   We have been here before. Uffington, Hackpen, Grim’s Ditch, Ogbourne St.George, Wayland’s Smithy, Sparshott Firs, Bishopstone and Barbury; all the trodden way from Overton to Beacon Hill. Each place its genius loci, a favourite colour: Ash-Blue, Ochre, Payne’s Grey, Terra-Verte, Lamp Black, Sienna. But today you ditch your winter…

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Art, Politics, RattleBag and Rhubarb, WW1

Art and Our Times

How will artists and writers portray this Trumpian time of disillusion, delusion and deception in which we now live? All a poet can do today is warn. That is why the true Poets must be truthful. – Wilfred Owen Perhaps we can find some clues in the extraordinary exhibit World War I and American Art now showing at the the Pennsylvania…

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Art, Poetry, RattleBag and Rhubarb, WW1

About Suffering They Were Never Wrong

About suffering they were never wrong, The old Masters: how well they understood Its human position: how it takes place While someone else is eating or opening a window or just walking dully along;                                                    …

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